Tuesday, 21 September 2021

Thinking activity : The Home and the World

 This activity is a part of my academic writing...


Firstly we will discuss...

 ◼ The growth of individual characters.

The Home and the World is a 1916 novel by Rabindranath Tagore. The book illustrates the battle Tagore had with himself, between the ideas of Western culture and revolution against the Western culture. These two ideas are portrayed in two of the main characters, Nikhilesh, who is rational and opposes violence, and Sandip, who will let nothing stand in his way from reaching his goals. These two opposing ideals are very important in understanding the history of the Bengal region and its contemporary problems.



There is much controversy over whether or not Tagore was attempting to represent Gandhi with Sandip. This is owing to Gyorgy Lukacs's 1922 review of the novel in the Berlin periodical, Die rote Fahne that is typically translated into English as "Tagore's Gandhi Novel"where he makes this mistaken suggestion. The novel could not have been based on Gandhi as it was published in 1916 and written before when Gandhi had just moved to India from South Africa  and was not a known political figure. Gandhi gained political prominence in India in the context of the Khilafat movement of 1919, which was long after the novel's publication, and took over the leadership of the Indian National Congress in 1920.

The novel was translated into English by the author's nephew, Surendranath Tagore, with input from the author, in 1919. The Home and the World was among the contenders in a 2014 list by The Telegraph of the 10 all-time greatest Asian novels.



◼ The growth of individual characters.

Rabindranath Tagore, a worshipper of universal humanism, depicts two different streams of Nationalism in his novel The Home and the World. The first stream may be termed as Moderation that articulates essentially pure patriotism without showing the aggressiveness of the Extremism that is the other stream. Both these streams surely are built on the basis of ideals and the followers are motivated according to their beliefs. In this novel Nikhil is a personification of moderate politics whereas Sandip represents the aggressive nationalism throughout the novel.

1.Nikhilesh

Nikhil is seen and described as an educated and gentle man. He is from kulin aristocratic family of landlords, and his family prides themselves in beautiful women. However, Nikhil is different in that he married not only a poor woman, but also one who was not particularly attractive. He is also unpopular in the town because he has not joined them stating, "I am not running amuck crying Bande Mataram." In light of this, the police also suspect him of harbouring some "hidden protest." In reality, Nikhil considers himself to be more aware of his country's role in a broader sense, and refuses to take part in Swadeshi.

2. Bimala

Bimala is the wife of Nikhil. She is described as not very pretty and from a much more humble background than Nikhil. She loves her husband dearly, and enjoys being completely devoted to him. At the beginning of the novel, she seems to be confined to the traditional female role, and has no thoughts of entering the real world, even with persuasion from her husband. Her feelings make a rapid change with the occurrence of the Swadeshi movement, due to Sandip's radical influence.

3. Sandip

Sandip is the third major character in the novel, completing the love triangle. He is a guest in the home of Nikhil and Bimala and his revolutionary ideas and speeches have a significant impact on Bimala. He is very vocal in his anti-imperialistic views and is a skilled orator. Sandip represents characteristics that are directly opposite to those Nikhil possesses, thus drawing Bimala to Sandip. Bimala gets caught up in the ideas that Sandip presents as well as the man himself. Her seemingly increasing patriotism causes her to spend more and more time with Sandip, thereby solidifying the love triangle conflict. Sandip's first name is translated to "with dipa light fire flame".

4. Bara Rani

Bara Rani is Bimala's sister in law. Her relationship with Bimala is strained at best. She causes a lot of tension in the household. She also uses Nikhil to get the material items that she desires. Bimala constantly complains about her to Nikhil. Bara Rani taunts Bimala for her mingling with Sandip Babu.

5. Amulya

Bimala considers Amulya to be her adoptive son, whom she met from the Swadeshi Movement. When first they meet, Bimala asks him to acquire money for their cause. He lists wild schemes and plans, to which Bimala replies "you must not be childish" . After pondering their situation, Amulya resolves to murder the cashier for the money. Tagore uses him to symbolise the raw emotion and passion, yet lack of sympathy for others often encompassed by group or riot mentality. Amulya struggles, as any youth, between completing the goals of the movement and developing strong relationships on an individual level, such as with Bimala; this is made extremely difficult by Sandip's powerful influence.


◼ Psychological growth of the characters. 


we can clearly see the psychological development of the characters like in the case of Bimala his realisation shows how it offers a good deal of development.



Towards the end of the book Sandip convinces Bimala to steal from her husband, Nikhil. While in the act of stealing 6,000 rupees, she comes to a realisation of the terrible crime she is committing, "I could not think of my house as separate from my country: I had robbed my house, I had robbed my country. For this sin my house had ceased to be mine, my country also was estranged from me". This represents a character turning point for Bimala: While in the act of thieving, she realises that Sandip is not only corrupting and robbing the nation, but encouraging her and others to do the same. Ultimately, she ends up giving the money to Sandip and receives unceasing praise from both Sandip and Amulya for her newly recognised sin.

However, Bimala realises that she has made a mistake by stealing the money from Nikhil and attempts to have Amulya pawn off some of her jewellery to replace the money. Amulya attempts to give the box back, but Sandip steals it and gives it back himself. This event allows both Amulya and Bimala to see that Sandip is concerned only with himself, thus allowing them to break free from part of his web. It is during this time that Bimala realises her power over Sandip by being able to easily make him jealous.



Thank you...

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